Archive for the Category ◊ What I’m Reading ◊

26 Sep 2011 What I’m Reading

It’s said you can tell where a person is in life by looking at a list of the things he or she is reading. Want to take a guess where my mind’s been lately?

I have to admit, I haven’t been reading much. It suddenly feels like my life’s exploded with to-do lists, both of the professional and the personal sort (not that I’m complaining) and I just can’t find enough time in my day (or night!) to sit down for an hour with a book. I, the former insomniac, now fall asleep within minutes of my head hitting the pillow as if I’ve been running a marathon all day. That said, I’ve read 95 or so books so far this year so it could be that they’ve just not registered or stayed with me as much as I’d have hoped they would have.

Home by Manju Kapur: This is not my usual fare, but I enjoyed it nonetheless. The story is about a traditional Indian family living in Karol Bagh in Delhi, three generations to one household and how as times are changing, the family dynamics too are caught in the struggle between tradition and modernity, the older generation and the new one. There’s a lot several Indians will identify with in here, even if not one hundred per cent, then bits of it. I loved that the setting is Delhi, giving it to me, even more a feel of “home.” I was saying to a friend the other day how we grew up reading books that were not set in our cities and countries and maybe because of that we’ve fallen so much in love with foreign locales and cultures. But it’s refreshing now to read books set in my own country and city, that have parallels to my own life and times. I think I’ll be picking up the rest of Kapur’s work as well (which, I’m embarassed to say, I’ve owned for years but haven’t gotten around to reading yet).

How She Really Does It: Secrets of Successful Stay-at-Work Moms by Wendy Sachs: I suppose it’s fairly obvious why I wanted to read this book, especially after the great freakout of 2011, in which I moaned to my husband that “My life is OVER!” and “I CAN’T do this!” among other variations. I’m happy to report that this book actually did help tremendously, giving me realistic expectations and showing me that despite the best-intentioned advice of the people around me, I have to find my own way and that their experiences aren’t necessarily going to be my own. Most importantly, that if I want something badly enough, even if it’s having a rocking family and a rocking career simultaneously, there’s absolutely no reason it can’t be done. Others have done it, too. This book is proof.

The Listerdale Mystery, The Moving Finger, and The Big Four by Agatha Christie: In my defense, I’m sick and it’s still raining.

Me Talk Pretty One Day by David Sedaris, Getting Things Done by David Allen and Road to Wealth by Suze Orman: These were all audiobooks and audiobooks that I’ve listened to before. I was going for daily walks and I actually prefer to listen to books rather than music so this made up the fare.

Rich Dad, Poor Dad by Robert T. Kiyosaki with Sharon L. Lechter, CPA: I first read this book when I was 23 years old and found that the principles outlined in the book were exactly what my father had been teaching me since I was ten years old. I vowed never to invest in stocks or real estate unless I fully understood the market and could take responsibility for my own actions, so until recently, I never really took any steps in the right direction despite having sound principles to fall back on. I’m a big believer that books come into your life when you need them or are ready for them, so I don’t think it’s any coincidence that I’ve ended up reading this again now.

Harvesting the Heart by Jodi Picoult: This is another one of those “will come into your life when you need it” books. It’s come at the right time for me for several reasons: My own novel is about mother-daughter relationships (though in a very different context) and I was beginning to doubt whether that can work, and I’m pregnant with my first child and have doubted my capabilities endlessly (and perhaps needlessly). This is one of Picoult’s early works, her second novel in fact, and while it shares the same style as her other works, the subject of the book was a bit of a surprise because it’s so different from what we expect of her now. I love her newer work, but I loved this one also.

12 Jul 2011 What I’m Reading

Rant begins:

I’m so tired of this “war” between literary and commercial writers. We all know that readers of literary fiction look down on chick lit, crime fiction and other genre novels, but what I don’t find discussed, even among people who stand up for commercial fiction is how much commercial writers (and readers) look down upon literary fiction. “Oh, it’s so boring,” they’ll say, or the one that annoys me the most: “It’s the literary equivalent of broccoli, you read it because it’s good for you.” Oh, shut up. And please, come up with something more original. Some of us actually love literary fiction and don’t spend countless hours reading it because it’s “good for us” but because we actually really enjoy it. We love the language, the play of words, the characters and yes, even the insights. For us, it’s not always about plot, plot, plot. I don’t read literary fiction because I have something to prove to the world, but because I like to delve into the language, and sometimes, even challenge myself with the complex characters. I’m one of those readers who equally loves commercial fiction (I continue to find Sidney Sheldon entertaining) and literary fiction, so find myself in the odd position of defending both. Why can’t people (and by that I mean most journalists) understand that there are as many different kinds of readers as there are books and that most people are not like these journalists who admit to hiding under the covers reading trashy books while outwardly pretending to admire Chimamanda Adichie? Some of us are huge Harlan Coben fan-girls while still appreciating the complexity of Amitav Ghosh. And we don’t need to pretend otherwise. (And if you have to hide the books you actually enjoy reading, PLEASE, get a grip.)

Rant over. On to the books.

The Jane Austen Book Club by Karen Joy Fowler: Reading this book is sort of like being in literature class, where everyone raises their hand and talks about what Jane Austen means to them, what role she plays in their life, and their interpretation of her work. It’s not a terribly serious book as I was expected to believe, which is possibly why I enjoyed it even more. If you’re a Jane Austen fan, it’s definitely worth picking this up, especially if you’re on holiday and looking for a fun read. This is my beach read recommendation for the year.

Murder at the Vicarage, The Body in the Library, The Murder on the Links and Towards Zero by Agatha Christie: It’s been raining buckets in Delhi, and you already know that I become a tea-drinking, mystery-reading fanatic when that happens. I’ve finally figured out why that is. I was reading somewhere that the weather really affects our moods, and I’ve known for a while that rain (as much as I love it) has the tendency to make me extremely anxious and panicky. And what does one do when feeling anxious and agitated? Well, this reader turns to comfort reading from her childhood, when mum would be taking an afternoon nap and I’d be lying next to her, having just come back from school, reading a novel, eating Jal Jeera (eating, not drinking) and waking her up with a cup of tea after which she would make dinner and I would do my homework. There were years of my life spent that way and hundreds of books that were read on a rainy afternoon, starting from Enid Blyton and Nancy Drew and eventually graduating over the years to romance novels, Danielle Steel and Sidney Sheldon. Agatha Christie figured in the middle somewhere as well. The tea, the bed, the rain, the mum, and the jal jeera remained constant.

Second Glance by Jodi Picoult: Why has this woman not won a Pulitzer yet? Seriously, why not? Because you know, this book deserves one. And is there anything about this book that ISN’T literary, however you might define it? I heard an interview with Picoult once and she said that at the start of her career, her books were classified as literary fiction. But then she made a conscious decision that she didn’t want to win prizes, she wanted to win readers. So she decided to go commercial. That means, she said, that she now has millions of readers, but is unlikely to ever win any of the major literary prizes. Which is such a huge shame. If there’s one book you’re going to read this year, let this one be it, especially if you’re an American reader. Here’s why: this book is about a part of American history that is very underreported and that I’d never actually heard about. Here’s a chilling sentence: “The Nazi Law for Protection Against Genetically Defective Offspring was based on American models for sterilizing the unfit.” Here’s what happened, in Picoult’s words: “In the 1920s and 1930s in Burlington, Vermont, a bunch of progressive thinkers– doctors, lawyers, university professors– decided to preserve the state’s rural charm by getting rid of the people they didn’t think fit the bill… namely, people who weren’t white Protestant Yankees. They began by organizing a survey that mapped out extended ‘degenerate’ families they felt were a drain on the economy, due to repeated stints in poorhouses and mental institutions and prisons . . . Eventually, a law was passed that supported voluntary sterilization of these individuals. Unfortunately, ‘voluntary’ was not always a matter of free will.”

Outliers by Malcolm Gladwell: I usually record my observations on a book right after I finished reading it, but I forgot to with this one, and now a month after I first read it, the only thing I can say is that I was neither too convinced by the book nor has it really stayed with me. I really liked the concept that if you do something for 10,000 hours, you will eventually become good at it, even excel at it. But I’ve heard a counterpoint to that theory, which is that if you just play the piano badly for 10,000 hours without much motivation, you’re not really going to get anywhere with it. There has to be the will for constant improvement and that what makes a person great. So new writers who’re reading this: get outta here and start writing for 10,000 hours. It’ll take you about 10 years. I’ll see you back here then. And also? You’re welcome.

Financial Freedom, The Laws of Money, the Lessons of Life and The Road to Wealth by Suze Orman: So most people, when they find out they’re going to have a baby, go to stores and look at cutesy clothes and baby toys and all that minutia that’s going to make up the kid’s first year of existence. Sam and I, strange as we are, went online and checked out schools. I found a school that I really like and want my child to go to (eventually– six years from now), and then, because it’s fun to torture yourself like that, looked at the fees. Hello, hyperventilation! It should come as no surprise to you then, that our financial advisor was one of the first people to be told that we’re expecting, and he of course said, “You need to be saving Rs. X per month if you want to achieve your goals. You’re currently saving 1/10th of X.” So now, thanks to Suze Orman and our lovely financial advisor, we have a plan. And for the sake of our own sanity, we’ve stopped looking at the cost of schools.

Susanna’s Seven Husbands by Ruskin Bond: I’m completely aware that people have tastes that range across the board, so for this particular book, let’s just say, it didn’t appeal to my particular sensitivities. I’m possibly in the minority, however, because apparently there’s a major Bollywood movie based on this novella (which I have no desire to watch). The copy I borrowed had the novella in the beginning, followed by a screenplay of the movie (which I did not read) and the novella itself came out to around 60 pages. A quick read, but the meets husband, kills husband storyline didn’t appeal to me, and more importantly, I completely failed to see the significance or any deeper meaning or reasonsing behind the shock value of woman marries seven (or was it six?– I lost count) times and kills all her husbands because she’s bored and has nothing better to do.

 

23 May 2011 What I’m Reading

I feel like my reading’s been chaotic and disjointed over the last few weeks, but I look at this list that I’ve managed to get through despite that and it’s not looking too bad. Did I say I wasn’t reading? Well, it sure felt like it! Anyhow, I’m back to my stash of Agatha Christie novels because the weather’s rainy (and lovely), my brain is fuzzy, and what’s a better way to spend a summer holiday than with murder mysteries?

Disgrace by J.M. Coetzee: This is one of those books that make it to every “must read” and “Top 100 books” list that exists, and for good reason. The prose is lean but very nuanced, it tackles the political with the personal, and it’s very accessible. The book was the 1999 Booker prize winner and earned its writer a Nobel Prize in Literature. I don’t think there was any question of my not liking the book right from the first sentence–”For a man of his age, fifty-two, divorced, he has, to his mind, solved the problem of sex rather well.”– but I didn’t expect it to be as brilliant and multilayered as it turned out to be.

Brick Lane by Monica Ali: My husband mentioned this book to me last year, as in, “You’ve never heard of Brick Lane? It’s supposed to be really good.” I put it on my to-read list and was recently reminded of it after Ali’s appearance on almost every books podcast for her latest Untold Story, which creates a parallel life for Princess Diana. As the title suggests, the book is about Brick Lane, a street in London that is home to the Bangladeshi community and while I’m not a huge fan of the immigrant novel, I liked this well enough. It’s incredibly well-written, but despite that, I think it would have benefitted from being a hundred pages shorter. As much as I was enjoying reading it, it stretched on a bit too long for me personally. The last hundred pages were my favorite part of the book and the last four lines are so perfect, they make it to my personal hall of fame.

 

The Old Man and the Sea by Ernest Hemingway and Jonathan Livingston Seagull by Richard Bach: I don’t like fables, never have and suspect I never will. I have this weird tendency to pick up books I know I won’t like as if to test myself. Maybe, I think, maybe this one will change my mind and open me up to this certain kind of book. Never happens. And I never learn. Anyway, these are both bestselling, much-loved books. I didn’t like them. You might.

Water for Elephants by Sara Gruen: I’ve owned this book since it first came out in 2006 and have been meaning to get to it since. I finally picked it up this week after the whole movie fiasco and the controversies regarding the mistreatment of the elephants. Which is ironic, really, given the book’s subject matter. Nevertheless, while I decided I wasn’t going to watch the movie but of course, I had to read the book. I liked the book a lot and recommend it, especially if you like historical books. This one is set in America in the Depression-era and that makes a gritty backdrop for the goings-on in the circus. Definitely an entertaining, and at times painful, read.

The Reluctant Fundamentalist by Mohsin Hamid: I really wanted to, but in the end, I just couldn’t like this book. The second-person bits and the monologue started to get on my nerves within the first 25 pages, the characters’ motivations aren’t explored fully, and the protagonist starts to develop a strong anti-American sentiment simply because he’s Muslim, it’s America, and… well, and nothing. That’s supposed to be enough justification. Throw in some Indo-Pak politics and you have a short book that is a political statement without the necessary facts. I’m all for anti-America and anti-India rants, especially when they’re coming from a Pakistani point of view, because I’d like to understand that point of view and was one of the reasons for my picking up this book. But the rants had absolutely no context or reasoning. The protagonist likes Afghanistan because it’s Pakistan’s “Muslim neighbor,” doesn’t like India because it’s bigger in size, and doesn’t like America because it’s America. End of story.

Persuasion by Jane Austen and Agnes Grey by Anne Brontë: In the war between the Brontë sisters, I struggle with where to place my loyalties. Am I a Jane Eyre person or a Wuthering Heights person? I suspect I’m a Wuthering Heights person, but on a rainy Sunday afternoon, a cup of tea in my hand, Jane Eyre is a safe bet, I’ll admit. In the war between Jane Austen and the Brontë sisters, however, it’s no contest. Don’t hate me for saying this, but it’s hands down the Brontë sisters, each time, every time, even Anne Brontë. I like Austen, don’t get me wrong, but my heart doesn’t beat wildly for her the way it does for the Brontë sisters. I haven’t read all their works, which to me makes it even more special that I still have more to discover.

20 Apr 2011 What I’m Reading

You might have noticed that I love getting my animals to pose with my books. Sometimes, they just do it naturally. Sometimes, they forget they’re not supposed to eat the darn things. And sometimes, as in the picture below, they can’t really be fussed. I’ve slowed down a bit on my reading this week and have been picking up smaller, quicker reads because my attention span is currently a bit like Nubi’s. And in what has come as a complete surprise to me, I’ve been reading short stories. Hmm, interesting.

Room by Emma Donoghue: After I pestered my friend to finish this book quickly so I could mooch it off her, she gave it to me with the warning that I was going to finish it in one sitting. She wasn’t wrong. Yet, despite the fact that I finished the book very quickly, I can’t say that I was completely blown over by it (something my friend predicted as well). It’s a fantastic novel, written from the point-of-view of a five-year-old who’s been trapped in Room since the day he was born. The book is about him and his mother living in that prison and then escaping it only to learn anew how to live in the world. The book was absolutely gripping right until the last page, and I know I’m in the minority when I say this, but it didn’t stay with me or give me nightmares after. I don’t even know why, which isn’t very helpful I realize, but to me, the anticipation of the experience far outweighed the experience itself.

Play Dead by Harlan Coben: This book is Coben’s first published work. It went out of print a few years into his career, and last year it was brought back into distribution. Coben writes straight up in an author’s note that it’s his first work, he’s not changing a single word and that he didn’t want to deceive readers by bringing this out as a new novel. I think that’s a good move, because… and I can’t believe I’m about to say this about a Harlan Coben book… it’s just not a good book. It’s overwritten, the characters are thinly conceived and if you’ve never read Harlan Coben before, you probably never will again. It’s got certain Coben hallmarks– the wit, the style, the pacing– but unlike his other work, there’s gratuitous sex and violence and some of it is very ill-conceived. I struggled to finish the book (really really struggled), but thankfully, I can now move on to his latest. And yes, I still adore Coben and will continue reading every word he writes, because despite this travesty, he is still an exceptionally brilliant writer.

The Secret Adversary, Why Didn’t They Ask Evans? and They Came to Baghdad by Agatha Christie: Even though I discovered Agatha Christie books as a teenager, I’m nowhere close to having read all of them. I think I’ve read about a quarter of her work, and I’m so glad there’s more to go because she’s comfort reading for me. She guarantees a quick and page-turning read and because I haven’t read them all already, there’s always something new for me to dig my teeth into. I wasn’t too impressed by these works, which are some of her earliest, but I enjoyed them nonetheless.

What I Talk About When I Talk About Running by Haruki Murakami: There are three sorts of people who will enjoy this book: runners, writers and fans of Murakami’s work. It would be best if you’re at least two of the three. The book is a quick and easy read and because it’s non-fiction/memoir, quite a departure from Murakami’s regular work. He brings the same insights to writing and running that he does to everything else and that’s what makes this book such a treat. Spend an afternoon or a lazy Sunday evening with it, but don’t go in expecting to find out too much about the man himself or his life. The book claims to be about running and that’s exactly what you’ll get.

The Inheritance of Loss by Kiran Desai: A few pages into the book, I posted on Twitter that I was liking this book but not loving it and the flowery language wasn’t something I’m a huge fan of. Little did I know that halfway through the book I would indeed start loving it, and that by the last hundred pages, I would find it difficult to stop reading. This is a complex, heartwarming novel, spanning three continents and taking you to immigrant lives in the three countries asking questions about where we come from, who are we really? Where, to which country, do we belong when we’ve lived in so many different countries, cultures? I got so attached to the characters that the ending seemed quite harsh and painful to me. Apt, but torturous. Clearly the best book I’ve read so far this month.

The Artist’s Way by Julia Cameron: I’d read this book before and had a lukewarm reaction to it, but when I saw it in a bookshop in Delhi, I couldn’t help buying it. A writer’s guide? In Delhi? Must have! I love the theory behind this book, insisting that writers and artists care about the process not the product and that they keep producing, no matter what. I was inspired, I was in agreement with the principles, and I found myself feeling more free, as if Cameron had given me permission to just go play with words instead of constantly torturing myself with the what-ifs that would follow after the work was finished. Where I struggled– and obviously I can’t blame the book for this, because the word spirituality is in the title– is with the spirituality part of it. It felt too hokey to me, all this God and abundance and meditation talk. You write, you create, you’re passionate about your work, and sure, there’s an unknown creative itch that pushes you further. Do we need to label everything we don’t understand “God”? Regardless of that, however, this book has been tremendously helpful to me, helping me see beyond what I’m good at and what I can sell into areas of what can I be good at and what can I explore.

Unaccustomed Earth by Jhumpa Lahiri: What is brilliant about Lahiri’s work is that it is deceptively simple. This is a book of short stories, hardly what you’d expect to be a page-turner, yet I was turning pages quickly and without noticing. This book is different from Lahiri’s previous book of short stories (which was a surprise bestseller and Pulitzer winner) in that it deals exclusively with the immigrant experience and all the stories are based in the US. I have to admit to liking The Interpreter of Maladies better, though of course, some readers, especially those interested in immigrant stories, may prefer this one.

01 Apr 2011 What I’m Reading

There have been some really fantastic books on my reading list lately, and while most of them have been classics/bestsellers/Booker nominees, they’ve lived up to the hype and the expectations and I’ve immensely enjoyed going through them. In April, I’m going on an Agatha Christie and Booker nominees binge, balancing my literary with my mystery for a nice mix. Current number of books read so far this year: 45.

Love is a Mix Tape by Rob Sheffield: An American writer friend suggested this book to me, which she insisted I would love. This is one of those books that is unputdownable and no matter what else you’re reading, it gets relegated to the back burner while you finish. It’s been a while since I cried reading a book. Sheffield, who is a contributing editor at Rolling Stone, writes about meeting a girl, marrying her, and then watching her die in his arms (no spoiler, you learn this in the first few pages) in a very raw and poignant way using songs as a backdrop. I’d never heard of the book before, even though it was a New York Times bestseller, and I highly recommend it.

Dress Your Family in Corduroy and Denim and When You Are Engulfed in Flames by David Sedaris: I used to be a huge Sedaris fan but have gone off him a bit lately. I never found him laugh out loud hilarious (I rarely find any book laugh out loud hilarious, to be fair) but I enjoyed his work. Now I can only really enjoy it if its in audiobook format, which for Sedaris books is a good way to go. He has the kind of voice and the kind of style that is a comic’s dream. He manages to make the whole thing quite funny the way he tells it. I’ve read both these books before, but this time I listened to them as audiobooks after days of writing when I really couldn’t be motivated enough to get through the heavy tomes on my bedside table.

Nonfiction Book Proposals Anybody Can Write: How to Get a Contract and Advance Before Writing Your Book by Elizabeth Lyon: I read this book because I’m considering writing up a proposal for an idea I’ve been playing with and I’m really glad I had it as a resource, because it’s been very helpful in finding out not only what goes into the proposal (which I knew) but why (which made it easier to get on board). I think the only thing that could have made this book better was if there had been a complete book proposal at the end which would have given an idea of the final product. I have the 2002 edition (I don’t know if there’s another one), so it’s also focused on printing and mailing as opposed to the e-mails that we use today.

Madame Bovary by Gustave Flaubert: The problem with classics like Madame Bovary and 1984 and To Kill a Mockingbird, I used to think, was that they were so much a part of popular culture that even if you’d never set eyes on the books, you already felt like you’d read them. There was no mystery to these books, you knew what happened, you knew how they ended, you even knew the characters intimately. I love Lolita and Don Quixote and Catch-22 because I read them when I was a teenager, much before this popular culture had invaded my life through the Internet and TV , but I didn’t think I could ever fall in love with Wuthering Heights or Madame Bovary, having missed that train when I should have hopped on. I’ll admit I was wrong and that there’s no sell-by date on these books. I just finished this book (I’ve read parts of it before but never the whole thing) and realized that it’s not just the story (there’s not much of a plot here, let’s be honest), but the language and the style that makes this book special. I read some chapters on my iPhone and listened to others in audiobook form. I’m finding that if you find the right reader, classics can be a real treat to listen to. (Currently, my favorite reader is Wanda McCaddon, who also records as Donada Peters, Nadia May, Margaret McKay, Ann Miles and Leonarda Stafford.)

A Portrait of the Artist as a Young Man by James Joyce: When I was growing up, most of the books I read were borrowed were from the school library and what I remember most was the yellowed pages of these old books, the used-book smell, the small print that required you to literally put your nose in the book when you read it. I borrowed A Portrait of the Artist as a Young Man from an online lending library and the book they sent over was just like that– small print, yellowed pages, the same musty old-book smell. Love love love that. Joyce is difficult, I knew that going in, and I found myself rereading parts repeatedly. It’s a brilliant novel when you look at it as a whole, but the reading experience isn’t a relaxing day at the beach, let’s just say. I struggled to finish it. I’ve not read Ulysses or Finnegan’s Wake and thought I’d get acquainted with Joyce before launching into those monstrosities and unfortunately, I’m not jumping with joy at the thought of tackling them.

Animal’s People by Indra Sinha: I wish this book had won the Booker instead of simply being short-listed, because that might have meant I would have read it sooner. It’s a good thing it was shortlisted, though, because according to the Guardian, it had sold a mere 231 copies before it was shortlisted. Animal, the protagonist, is crass, funny, sex-obsessed, and incredibly lovable. He is, for me, one of the best characters ever written and I can’t wait to get some distance from the book so that I can go back and reread it. The events are based entirely on the Bhopal Gas Tragedy, though the novel is based in the fictional city of Khaufpur and while it is referred to as the American “kampani,” it is quite clear what company and events are being spoken about. I highly recommend this book, and it is now possibly one of my favorite books of all time. 231 copies! What a travesty that such a remarkable book, if not for the Booker shortlist, would have gone by unnoticed.

13 Mar 2011 What I’m Reading

The Bell Jar by Sylvia Plath: I’ve tried, in the past, to stay away from books that were dark and depressing. As an adult, I’ve been a voracious reader mostly at the times I’ve felt dark and depressed and hence have gravitated more towards books that are funny and light-hearted and wouldn’t want to make me lunge in front of the next incoming train. Now I’m at a very good point in my life and thought I could handle this. Good thing I waited because this book is a really intense read. I love the style– there’s no shock and awe here, simply telling of the story, which I appreciated.

Reading Lolita in Tehran by Azar Nafisi:  This book is a literature lover’s dream. It’s about a literature professor and seven of her students who get together each week to discuss some of the classics. The book is a memoir and its brilliance is in weaving together the politics of Iran, the literature of a century ago, and the loves and lives of these eight women in revolutionary Iran and during the Iran-Iraq war, each with her unique story to tell. I’m not usually such a fan of non-fiction, but this one is so beautifully and charmingly written, that I couldn’t help but fall in love with it. Reading Lolita in Tehran is not an easy book to read by any means. Stories of brutality, of lashes and beatings, of the little joys not allowed these men and women are going to keep you up at night. But because the book focuses mostly on literature, you’re reminded repeatedly of how lucky you are to have access to book groups, to books themselves, instead of being under a regime where your well-worn copy of The Great Gatsby could be confiscated and bring you punishment.

The Wonderful Wizard of Oz, The Marvelous Land of Oz and Dorothy and the Wizard in Oz by L. Frank Baum: Madame Bovary had been my middle-of-the-night reading (on the phone) but it’s a long book, and I think may be better suited to paper or Kindle (which I currently don’t own). I kept falling asleep with the phone in my hands with no idea where I was in the book. So after having read a single page almost a dozen times with still no idea of where I was in the story, I decided to give up on that and go for something easier. So children’s literature it is. Didn’t forget once where I was in any of these three books. (And while I’ve seen the movies, heard several different audio and radio versions, I’d actually never read any of these books. I didn’t even realize that some of the dialogue I’ve been quoting hasn’t been from the books or the movies, but some audio version I heard repeatedly as a child!) Also, I do realize there are about 15 more books in the series, but I think I might have to save those for nieces, nephews and future children.

The Post-American World by Fareed Zakaria: Another one of my late-night listens and I’m a bit stuck on what to say about it. I like Zakaria and as with anyone else who doesn’t live under a rock, can’t escape his work (in Time) or his appearances on television. His observations are pretty spot-on, but as I’m prone to do, found myself disagreeing with some of what he had to say: the fact that innovation and ideas would set America apart from the rest of the world, which is unlikely because the rest of the world is getting educated and moving quickly beyond manufacturing and call centers into the idea business as well. That’s the goal, not just for America but for the whole rest-of-the-world. So Zakaria the doctor has found the ailment, but I’m not sure his cure works. And this is where I get into murky and idealistic territory– does there have to be a cure? Isn’t a global environment where each individual, regardless of the country he or she belongs to, can move ahead because of his or her ideas and talent, the ultimate goal? But I suspect the book wouldn’t have become a bestseller in the US if Zakaria had said, “America isn’t better than the rest of the world, we’re all equal,” so fair play to him. Good book, though, and definitely worth a read if you want to understand the new global order a bit better.

A Writer’s Paris by Eric Maisel: I bought this in 2006, having saved money to go to Paris and live there for a while. For reasons too elaborate to get into here and not related to writing, I didn’t and the book got relegated into a corner cupboard, inciting bad memories each time I saw it. But the other day I was talking to a writer friend and complaining about the prevalence of spiritual writing gurus who talk in monotone and go on and on about how they sat down and found peace with themselves (“and then the writing just poured out of me,” etc) and she suggested that I look up Eric Maisel. “The atheist version of the creativity author” she said. So I took this now-dusty book out of my cupboard and fell in love with it. This is a writer after my own heart. He touched upon several of the issues I’ve touched upon on this blog recently (he wrote a book in three weeks after being inspired by George Simenon, who I mentioned recently) and finds it difficult when agents and publishers talk only about how to sell books and not how to write authentic books) and wants to live and learn and be prolific and write and dream and sit in park and write, write, write. I absolutely loved this book and even though I’m not heading to Paris any time soon (although I might be tempted to embark on a literary sojourn in Delhi), the city is only a backdrop in all Maisel has to say. While it’s an important part of the book and he helps you get over all the excuses you have to not go, the real meat of the book is what’s underneath it all: the art (and really, we’re talking art here not craft) of writing and being a writer. I loved the book and will definitely be revisiting it again. And I’ll definitely be reading many of his thirty (or more) other books as well. I think I’m going to read A Writer’s San Francisco next. And throw in a request for A Writer’s Delhi.

Freakonomics: A Rogue Economist Explore the Hidden Side of Everything by Steven D. Levitt and Stephen J. Dubner: I bought this book because I heard about the Freakonomics movie, and I wanted to be sure I’d read the book before I accidentally saw the movie (though how I’d “accidentally” see the movie, I don’t quite know.) Books like these are typically hard for me to get through because they can sometimes be quite information-heavy. You plough through them somehow because you want to be informed and updated on what’s going on in the world, but you don’t typically enjoy them. This book was different. I quite enjoyed reading it, actually, and learned so much of what I hadn’t already known. I have a file on my computer called “Random Facts,” in which I’ll record things I’ve read somewhere or heard about that are interesting and could come in handy for a future article or book and there were several things from Freakonomics that made it into that file. I especially loved the story of the man in the US named one of his kids Winner and the other Loser. Not the man himself, clearly, but the story. Loser, you’d be happy to hear went on to become quite successful, and Winner… well, read the book!

The Complete Polysyllabic Spree by Nick Hornby: I never thought I’d say this about a Nick Hornby book (because I’m a huge fan of his fiction), or indeed, about a book about books, but I didn’t really like this one. I typically need an “easy” book after I’ve read something intense, so this was one I was really looking forward to after a whole slew of books on difficult subjects (Iranian revolution, Bhopal gas tragedy, etc). It’s good enough, but it does not have a laugh on every page as the cover blurb promises, which is quite disappointing. I actually love reading about other people’s reading habits, tastes, and current choices, but this one, unfortunately, didn’t do it for me. I wish I had a better reason than that I didn’t connect with the voice, but that was the biggest issue for me. It seemed like I was being forced to find the reading list interesting for no other reason than that it was Hornby’s list.