Author Archive

20 Jul 2010 Scaling Back

In between writing letters (of the official kind) and sifting through paperwork, I’m having a nostalgia-filled day today. I’d put together Hindi songs from the 60s and 70s for my father recently, and this morning, one started playing on iTunes.

I knew it was going to be a good day as soon as it came on.

I’ve decided to take a break from the blogging every day routine. My husband may mock me for saying this, but even I don’t have that much to say. I’m still going to be blogging regularly, which means probably two or three times a week, but I think I’m going to take it easy in the must-publish-a-blog-post-at-6-a.m.-every-day department and just write when I have something to talk about.

I am finishing up the Freelancing Fact or Fiction series and I’ll start posting once I’m done writing it. I’m guessing it’s going to be the last series I’ll ever do on freelance journalism for this blog, seeing as I’ve pretty much said everything I have to say on the topic. But I am slowly shifting my focus to books (there, I said it), so there are still many interesting discussions to be had.

In the meantime, let me tell you how I discovered my favorite author, Harlan Coben. In 2005, I used to listen to radio show called Writer’s Roundtable in which the hosts interviewed successful fiction and non-fiction writers about the art and craft of writing. The show was also uploaded online and could be downloaded and listened to at leisure. Well, I was thinking about books back then too (we always do, don’t we?), and I heard Harlan Coben speak on that show. That very day, in a move very uncharacteristic for me, I shut down my computer, walked a mile to the nearest bookstore and bought two of his books– Tell No One and Gone for Good– and finished them both over the next three days.

I’m not sure they have the show any longer, but I recently came across the archives and realized what a treasure trove this page is. I’ve always said that if you want to learn, you have to learn from the greats, the ones who’re at the top of their game. If you want to learn good journalism, read Pulitzer winners, if you want to reach the masses through your fiction, learn from the New York Times bestsellers.

Here’s the link to that show. Enjoy!

16 Jul 2010 On Elitism and Reading Choices

There’s something that’s always been part of the Western publishing landscape, which is now seeping into India as well. It’s called elitism. You know, the attitude of a few that literary authors who write one book in five years are special and talented, and crime writers or those horrible romance writers who “churn out a book a year” don’t deserve to be read. The scratching of the head ensues when Dan Brown’s books sell millions and your friend, the avid reader, has never heard of Rohinton Mistry.

“Popular fiction” has become something to be mocked, looked down upon, and readers of it regarded with distaste. This is something that’s prevalent in music (”Celine Dion fans are ignorant and don’t know good music”) and in India, at least, everyone’s favorite punching bag is the author Chetan Bhagat.

Now before I go further, let me tell you about my reading choices. Well, everything. I grew up reading Enid Blyton, Agatha Christie, and the Nancy Drew series, moved on to those wondrous romance novels, graduated to chick lit and crime fiction, and now read pretty much everything under the sun, including Rohinton Mistry, Marian Keyes, Amy Tan, Harlan Coben, Haruki Murakami, Pankaj Mishra, Cormac McCarthy, Tom Robbins, Taslima Nasrin, Arundhati Roy, Jennifer Weiner, Sidney Sheldon, Amitav Ghosh, Nisha Minhas, Jhumpa Lahiri, and the back of my juice box. In fact, I’ll try any writer once.

I did pick up a Chetan Bhagat book a couple of years ago, didn’t really enjoy the story or the writing, and hence, didn’t buy any more. Purely personal taste, nothing against the author or his genre. I’m just not a young twenty-something Indian working in a multinational company and have already answered for myself the questions Bhagat’s characters are asking, so I don’t identify with their struggles. I also didn’t like the writing style.

But does that mean Bhagat’s books don’t deserve to be published? Does that mean all his readers are classless brainless idiots? No, of course not. One of his books just got made into a major movie, and he’s got hundreds of thousands of fans. Can we really say that hundreds of thousands of people don’t know what makes a good story or good book?

And what is a good book anyway? Isn’t it something that speaks to you, moves you, or just makes you laugh? Who am I to tell anyone that Arundhati Roy should move them or speak to them more than Chetan Bhagat? Who am I to say that reading a novel about sixteenth century China is a better way to spend an afternoon than reading a novel about a woman in LA who can’t find love?

This article in the Indian Express caught my attention as I was pondering these issues a couple of weeks ago. For those of you who’ve been around me for a while, you know how mad I get when someone uses multiple exclamation marks, so the fact that a published author would say, “Grammatical errors, spelling mistakes doesn’t (sic) matter that much. I am not writing a (sic) literature,” makes me want to poke a hot knife in my eye only so that the pain of that can erase the pain of this sentence, but this author is a bestselling writer and his book is in the eighth print run (whatever that means; what if they’re only printing 1,000 copies per run?). Will I read him? No, absolutely not. Will I look down upon people who do? No, never.

I understand that publishers and authors have a responsibility to their readers to give them a quality product, and by quality I do mean not completely abusing the English language, but I do have a problem with people who look down upon readers who choose to read something that the literati don’t approve of (yes, I’m looking at you, Maureen Dowd).

As readers, we should demand quality standards from our publishers, but don’t hate the author. Good on them if they were able to take that risk of sitting down and writing an entire book despite their lack of sophistication of language and then actually get it published and sold. I’m guessing these authors (the Indian ones) aren’t raking in the millions, so it’s important to understand that there is a market for their work and that they’re able to tap into it. But I just don’t understand the hatred against Bhagat on Twitter and other social media. So you don’t think he’s a good writer and shouldn’t be as popular as he is. Um, so?

As writers we work by and because of market forces every day. What the masses are reading and what they may or may not like is an important factor in what we’re able to sell. Can we really afford to look down on millions and say their taste doesn’t matter?

I, for one, can’t and don’t want to. I don’t like Bhagat’s books and won’t be reading them, but isn’t it a tremendous achievement that his books got people talking, and more than that, reading again?

As a writer, I’d like one day for my books to be able to do the same.

15 Jul 2010 Interview on Clickety Click Click
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So the lovely Reeti Roy interviewed me for her blog this morning, and here’s the result.

When I first started writing, Mridu Khullar Relph’s blog cropped up in my google searches when I decided to pitch to publications. An established freelancer with clients like The New York Times and Time Magazine, Mridu also maintains a website for writers, often going out of her way to support and help young writers. Having built  a freelance writing portfolio from scratch, Mridu knows what it takes to strike the balance between envisaging one’s dream and actually living it. Here’s an interview with her.

Read it here.

13 Jul 2010 Tess Gerritsen on writing

If you’re serious about writing books, specifically novels, you need to head over to Tess Gerritsen’s blog right away.

I can’t believe what a treasure trove this blog is. Gerritsen is very honest not only about her writing process, but the truths and lies of publishing. She talks about what novelists can expect in terms of advances, what marketing really means, and how the cover for a book comes about. She also talks about bad book reviews (the vitriol sent her way amazes me) and dealing with them.

If you want to know what it’s like to be a New York Times bestselling author, read this website, be inspired, and be educated. One day, when you’re writing your own novel, you can thank Gerritsen for not only the hours of entertainment, but the hours of education as well.

http://www.tessgerritsen.com/blog/

12 Jul 2010 Legally Unmarried

Our marriage registration saga continues. We went again on Friday and were told to wait. After waiting for hours, we were again told to wait. Sam got angry and the marriage registration officer threatened us, saying to me, “Tell your husband if he raises his voice, I will throw you out, not register your marriage and make you suffer.” When told this was our third visit, he said we would have to come ten times if he wanted us to. And then, of course, he made sure we would. We were called back on Monday.

The three of us (including my father for good measure) got there before 11 a.m. this morning and left after 4.30 p.m. I’d like to tell you that these six hours were a productive use of our time, but no, all we did was wait. For him to accept our paperwork and put it into processing. That’s right. This is my fifth day off work so that some incompetent guy from the government can look at my paperwork and say, okay, these are the documents we need. Anyway, thankfully, there is finally light at the end of the tunnel. We have a date approximately one month from now, in August, when we’ll get our marriage certificate. In the meantime, we have to go to the local police station and get them to verify that we do actually live where we say we live.

In most countries, when you get married it’s official immediately. In India, there’s no such thing. That’s why you hear about so many gay weddings– they’re getting married in the eyes of God or family or whatever, but in the eyes of the government, they’re not because they haven’t submitted the paperwork. Because the priests or officiators have no legal authority, you’re not legally married (ETA: officially registered) and given a certificate until you’ve gone through this entire time suck (which most people don’t). That’s pretty much our situation right now– we’re married, but in the eyes of the government our marriage doesn’t yet exist on paper. Inefficient? Well, of course. This is India.

Sam and I spent the six hours contemplating why we hadn’t just gone to Vegas instead, and imagining gory ways to make this guy feel pain, and because we’ve recently been watching the last season of 24, we got very creative.

I came back to a box of books though and that cheered me up immediately (I love you, flipkart.com) and now I’m off to salvage what’s left of my day.

How’s your Monday going?

11 Jul 2010 What I’m Reading (The Random Version)
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I can’t possibly categorize into sections the varied books I’ve been reading lately, but I want to share them with you, so I’ll just dive in and tell you all about them.

This Charming Man by Marian Keyes: I love Marian Keyes, she’s one of my absolute favorite authors. In fact, I just ordered her latest today and will have the scoop on it for you later. I know some people look down on women’s fiction and chick lit, but seriously, you can’t. Not after you’ve read a Marian Keyes novel. It’s hard to imagine how a book about alcoholism and domestic abuse can be funny or light-hearted in any way, but Keyes is a brilliant and introspective (and hilarious, of course) writer.

Remember Me? by Sophie Kinsella: Borrowed this from a friend who insisted that I was not allowed to judge this book before I’d had a chance to read it, and of course, she was right. It actually got me thinking, this one. What would happen if I lost my memory and went back three years in time, waking up in the present with no recollection of what had happened in the interim? Scary! Loved the book though, even if it was quick predictable light-hearted fun.

After Dark and Kafka on the Shore by Haruki Murakami: You’d think I’d have read all Murakami’s books by now, but I haven’t. I’m still getting through his backlist, and here he goes writing more. I’ll catch up one day. The plot of After Dark is vague and messy, more a script than a novel. I love how he makes the city itself a living, breathing creature. I didn’t like Kafka on the Shore, probably the only book of his that I haven’t enjoyed so far. There are some pretty graphic animal torture scenes, and I just don’t have the stomach for that, not in a novel. Most people love this book, even calling it one of his best, but for me it was too creepy, a bit too slow to read, and the ending too open for my taste.

The English Patient by Michael Ondaatje: Am I the only person in the world who hasn’t read this? I vowed not to see the movie until I’d read the book, so now I’m all caught up and can go watch the movie. The prose of this book is amazing, almost comforting and soothing in a way. I kept getting so comfortable in my bed reading this book that I fell asleep several times with it in my hands. I almost never do that.

In Search of Sita: Revisiting Mythology, edited by Malashri Lal and Namita Gokhale: I got this for research purposes, but gosh, it was so much more. There’s so much I didn’t know about the past, present, and different variations of this character. I’m familiar with all the different versions of the Ramayan, including the South Indian and Indonesian ones, and I have to say, I’m just not a big fan of Sita. You can pretty her up as much as you like, but I’ve always found her to be written in a one-dimensional way. Anyway, the book does more than talk about Sita– it talks about the women and the rituals and the controversies built around her. So much more fascinating.

The Palace of Illusions by Chitra Banerjee Divakaruni: If you do want to read about a kick-ass female Indian mythological character, however, Draupadi is the one for you. She’s definitely right up there in my list of best characters ever written. There are dozens of books written about her, but in the deft hands of Chitra Banerjee Divakaruni, she’s made even more complex and fascinating. Get a copy of this book and immerse in ancient Indian culture. A definite must-read.

Have a Little Faith by Mitch Albom: It’s easier to take potshots at popular and famous authors, because you know I wouldn’t be so harsh with a new writer or a friend, now would I? But I guess the expectations are much higher with authors we know and have come to trust, and I was really let down with this one. One can have faith without being religious, in my opinion, and the book seems to argue otherwise, thereby alienating me at the onset. There are the obligatory references to Islam, Buddhism and Hinduism, of course, but they’re clichéd and meaningless. A reviewer on Amazon.com called the book “the Oprah-izing of religion,” and as much as I’d have liked not to, I agree.

Keeping Faith by Jodi Picoult: The book’s premise really drew me in: “If you don’t believe in God, and your child is seeing angels, what would you do?” What I loved about the book is that it dared to ask the tough questions. It didn’t answer them, but by the end I knew what each character was left believing, so maybe it did. The author didn’t try to make me change my mind in any way (thank you, JP!), yet told a deeply moving story about a mother facing this question. Even though I’m not a mother, I could immediately relate.

Little Women by Louisa May Alcott and Pride and Prejudice by Jane Austen: These classics are my comfort reading. They’re safe and predictable, and I turn to them when I’m stressed, going through life changes, or just generally in the mood for safety and comfort. It maybe sound silly, but book lovers will understand: These books ground me. They’re part of my childhood, my growing up years when everything was safe and cozy and perfect, and so I associate them with that. I read these two in the week before my wedding when stress levels were high and I was trying to find my happy place.

Her Fearful Symmetry
by Audrey Niffenegger: I took this book with me on my honeymoon because I loved loved loved The Time Traveler’s Wife and just trusted Niffenegger to show me a good time with this one. Uh, what the hell? I’m sure other people have different opinions on this, and I love Niffenegger’s writing, but I could not make sense of this book. There were ghosts, ghosts in cats, ghosts exchanging bodies, and all kinds of weirdness that maybe wasn’t the best honeymoon reading, in hindsight. Anyway, I did absolutely love the ending (totally creepy), but it took an awfully long time to get there.

31 Songs by Nick Hornby: I’ve had this book forever. I think I’ve had it since pre-YouTube, when you couldn’t just get on there and listen to the recommended songs. And I wanted to listen to Hornby’s recommended songs. So on a rainy Sunday morning, I fired up iTunes and YouTube, read and listened to some fantastic music. Trust me on this, there’s no better way to spend a Sunday morning.

Long Lost by Harlan Coben: That’s the thing about Harlan Coben’s books. You want them to end so you can see how the story comes together, but you don’t want them to end because it would be over. I’m a huge huge Harlan Coben fan, that’s no surprise to anyone who’s known me for more than five seconds, and this is a book I’d been meaning to pick up for ages. I finally did, and absolutely loved it. Coben just keeps getting better with time, and Myron Bolitar has to be on the list of one of the most clever characters ever created. All I can say is that Gone for Good is one of my favorite Coben novels (if you haven’t read it, get a copy NOW), and this one comes fairly close. Also? It’s about time Coben got writing about terrorism. I am not disappointed.