I’m confused. Seriously, there’s something I don’t understand, and I’d like someone to help me see why this is such an issue. You may not know this, but I’m a big fan of anthologies. I read them, I write for them, and one of the highs of my life has been being published in a Chicken Soup for the Soul book. The other day, I was showing around a few Americans who were new to the city, and I took them to a bookstore. Right there on the display was one of the books I’d written for, and I proudly pointed to it and said, “See that? I wrote for it!” We quickly picked one up, headed to the back of the store, and one by one everyone read the story. It was great! Obviously, I have no issues writing for more of these anthologies, especially since they’re actually available in my country.
However, some writers do. And I respect their opinion. But I don’t understand it.
The reasoning is that writers who work for such anthologies have to do the work upfront and that the publishers receive thousands of these submissions, and only a few are published. These advocates argue that you’re better off sending your work to publishers who give you a guarantee of contract.
I guess I’ll never be reading any fiction by these writers.
I have three issues with their argument.
1. The same websites that recommend that you avoid these avenues for your work hold regular contests. Several hundred writers submit stories (yes, finished stories, a.k.a on-spec) with no guarantee of publication and among those, a few are selected for a prize and publication. And these writers pay for entering the contest. So not only do you submit on-spec, but you pay for it! And that’s somehow better than submitting to anthologies that have much more name-recognition than these contests?
2. Humor and essays are not like non-fiction, in that they’re not dependent on the topic. Rather, it’s the presentation that’s important. I once read a brilliantly funny essay by a writer who described in detail how he recovered an orange from behind the fridge. Can you see an editor commissioning an essay on the topic? If you were an editor, wouldn’t you either reject it outright or want to see the final piece to be able to decide whether or not it works? That’s the thing with humor. That’s the thing with emotion. They’re not in the topic. They’re in the writing.
3. Being published is wonderful. It’s addicting, it’s validating, and of course, it helps keep the bills paid. But is it the only goal? If money is your primary goal, what are you doing becoming a writer? Go do corporate work; that’s where the money is. Most writers choose the writing life because they enjoy writing. They enjoy the process just as much as they enjoy the publication. And if they have a sudden flash of inspiration, they’re not going to stop writing because there’s no guarantee of publication.
Don’t get me wrong, I make a living from my writing. I believe writers should be paid fairly for the work they do. I believe that writers should fight for their rights and stand together against outfits that scam. But I don’t understand how anthologies are different from contests, and why to some, they seem to be taking advantage.
Anyone else know what I’m missing here?
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